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A deep appreciation of Chinese traditional culture 2013-07-18


The main founder of "Yuyao Four Xianxian" in the Liuchuan Ancient Library of Japan, the information "Where is the township - Wang Yangming" "One dress with water - Zhu Xishui" "Shan Gaoshui Chang - Yan Ziling" "Heart Congsheng - Huang Zongxi" 2003 The "Yuyao Four Xianxian" (hereinafter referred to as "Four Xianxian"), which was planned and created in the year, was finally completed, and it began to come out on June 24 this year. On this day, "Where is the township--Wang Yangming", "One dress with water--Zhu Xishui", "Heart-following--Zong Zongtang", "Shan Gaoshui--Yan Ziling", met with the audience one by one. These four TV art films are the first visual representation of the four sages of Yuyao, produced by Yuyao Radio and Television, and produced by the famous TV star Liu Lang. Among them, "Wang Yangming" was completed in 2006 and won the third prize of China TV Golden Eagle Award and the first prize of Zhejiang News Award. In 2010, "Zhu Yushui" was completed and won the first prize of Zhejiang TV Peony Award; "Zong Zongtang" and "Yan Ziling" was completed at the same time this year, which ended the ten-year creation process of "Si Xianxian". Any song of history is to be sung to modern. These four films are a deep love for Chinese traditional culture in the digital age. In this era of impetuousness, cultural fast food, and excessive entertainment of TV programs, the heavy "Four Sages" is also the "no" that TV people use their own efforts to say such a status quo. There is a popular saying in the TV circle: it is hard to shoot people, it is even harder to shoot the ancients, and it is hard to make an ancient celebrity. The spiritual heritage left by the four sages of Yuyao is rich, but how to show it through images is a problem. "Without the success of "The Age of Ceramics," we would not have the confidence to be the "four sages."" He Jianjun, the deputy director of the "four sages" and the deputy director of the radio and television station in Yuyao City, said. "Four Xianxian" follows the creation team of "The Age of Ceramics". From a certain point of view, these two films are the products of the Yuyao Radio and TV boutique route. However, before 2001, there was only a radio drama project on this route. There was no shadow of the TV film. Because it is easier to schedule and operate than the TV film, the boutique radio drama is “jumping at the county level. To the height of. When the radio drama achieved good social repercussions and the industry fully affirmed, Yuyao Radio and TV Station turned its attention to another "hand" of radio and television - TV. Due to the limitations of the county TV production talents, they began to search for high-ranking people, and finally found the director of "Tibet of Tibet" Liu Lang, Liu is the general director of the later "four sages." But that is already their cooperation after the "Ceramic Age". Knowing the level of Lao Liu, Yuyao Guangdian people understand that it is necessary to impress Lao Liu's invitation to Yuyao TV station. The key is in the subject matter. After some hard work and meditation, they finally locked their eyes on the ceramic fragments of the Hemudu site. These fragments also caused Liu Lang’s interest, so the two sides hit it off. Later, "The Age of Ceramics" was a great success, winning the first prize of the China Television Arts Starlight Award and the first prize of the Provincial Peony Award. “The county-level TV station is a 'sparse guest' on the list of starlight awards. The organizing committee deliberately added the word 'Zhejiang' in front of the selected unit 'Yuyao TV Station', lest everyone know where Yuyao is.” He Jianjun who went to receive the award Recalling. At that time, a senior senior told him that this was the first time that the county-level TV station selected the first prize of the Starlight Award. He Jianjun was very excited and felt that he made a contribution to the propaganda hometown. At the beginning, he felt that he was "hearted" for the county-level Taiwan. He gradually believed that there were good ideas and appropriate borrowing, and the county-level Taiwan also had spring. When looking for the next subject, He Jianjun couldn't help but think of the four sages of Yuyao. "The top ten thinkers in ancient China, two are Yuyao people. Isn't this worth a shot?" He believes that "dialogue with the four sages" should not be just those in the academic world. The previous happy cooperation reminded him of Liu Lang once again, and a communication, Liu Lang refused. The reason one is that it is difficult to make an ancient celebrity, but it has to be shot four times. I am afraid that it can't be eaten. The second reason is that it is difficult to square the ancient thinkers and it is impossible to do it. After the first rejection, He Jianjun was not discouraged. He called Liu Lang every three to five times. Once he said to Liu Lang: "Old Liu, after finishing the "Four Xianxian", you made a piece for Yuyao. The merits of the merits are ah." Liu Lang finally made it difficult for him to try to take a try first. Which one to shoot first? After repeated discussions, it was decided to start with Wang Yangming, the most famous and difficult to do. It is said that Wang Yangming is the most difficult to do because he is the most controversial--he follows the title of "Master of Mind" given by later generations, and seems to run counter to the mainstream materialism. Some people even point out that he once suppressed the peasant uprising. In the process of studying historical materials, the founding personnel found that Wang Yangming’s settled in Jiangxi was a mess, not a “peasant uprising”. Materialism and idealism are only two philosophical views, and the important thing is the spirit of speculation. At the first seminar of "Wang Yangming", He Yifeng, vice president of Zhejiang Academy of Social Sciences, Hu Zhiyi, professor of Zhejiang University, Zhang Yiping, cultural celebrity of Yuyao City, and Zhu Huancan, a scholar of Xiangxian, gathered together to discuss the creative direction and finally discuss the creative direction. The conclusion is: "Wang Yangming" can not be made into a complete biography, but it can not be without biography; it should be more emphasis on introducing its philosophical thoughts, making his sacred essence popular; legends and other historical basis The material can not be used, but also on the basis of historical materials, Wang Yangming is justified. Finally, “frequently returning home” became the main line of creation of Wang Yangming’s life. The theme of "hometown look back" also came from this, the phrase at the end of the film--"people, often writers look back, that is, but looking for a place to start" to become the "Wang Yangming" full film One eye. Liu Lang said: "The hometown here is not just a hometown in the geographical sense, but also the hometown of the soul." The subtle changes in the Chinese society during the transition period of the rapid population movement have made the "township" become A spiritual pain point of the times, "Wang Yangming" seized the pain point without losing the opportunity to trigger people's thinking. The formation of the "Wang Yangming" manuscript lasted more than a year. At this time, a seminar was held to review the manuscript. The writer Liu Lang raised his hands and made a distance of nearly one meter. He said with a smile: "I have not read such a long book without a word." He Jianjun did not believe at first, until he was at the home of Liu Lang Hangzhou. The study was free to pick up one of the long books, and saw that every page in the book had a circle of dots when reading, and then admire the letter. The first version of "Wang Yangming" came out for 50 minutes, which is still too long for a TV movie usually 30 to 40 minutes. Liu Lang’s decision is to compress a simple historical narrative, highlighting the detailed portrayal of Wang Yangming’s key passages and his interpretation of his philosophical thoughts, because “we must be different from books and present more things that cannot be seen in the book”. After the expert review, the film was revised four times before it was finally settled. The creation of "Wang Yangming" lasted for three years. It determined the overall creative direction and mode of the four sages. Each step in the creative process during the period has provided important reference and reference for the next three films. After completing "Wang Yangming", Liu Lang was exhausted and asked to resign. He Jianjun knew that Lao Liu was the most suitable candidate, and he begged Liu Lang to "send the Buddha to the West" and continue to shoot. Liu Lang still disagreed. He Jianjun persevered to "chasing" him for a whole year, "grinding" him for a whole year, and he sincerely said to Liu Lang: "Old Liu, this film is finished, the younger brother's wish for a lifetime is gone, you are Help the younger brother to complete this wish." In 2008, Liu Lang agreed to "re-out again" and continue to create the "Four Xianxian" creation. In 2009, "Zhu Xishui" entered the stage of comprehensive creation. In the process of creating this series of TV art films, in order to get as much image material as possible, where the four sages have been, the film crew will “follow” where. Since Zhu Xishui’s important life in his life was in Japan, the film crew had to rush to Japan to shoot. Before going to Japan, the team was ready for half a year. They invited Qian Mingdang, an academic advisor to the Zhejiang Academy of Social Sciences researcher and Zhu Xishui researcher. Qian Ming is familiar with some Japanese scholars and has studied and lived in Japan for a while. During the half-month stay in Japan, the film crew had to complete 90% of the shots of Zhu Xishui. When I arrived in Japan, the group of people followed the scheduled itinerary and worked more than 12 hours a day. Liang Qichao once wrote in the "Academic History of China in the Past Three Hundred Years": "The study of Surabaya is not in China. It is China's misfortune. However, in Japan, it is also a human being." There are many statues of Zhu Xishui in Japan. The monument has many gardens where Zhu Xishui participates in the conception and design. In Yanagawa, the film crew encountered a private school teacher and student in Yanagawa to read the Analects of Confucius. The children also learned how to pass Zhu Xishui to Japan. During the day, the film crew received the warmth of many Japanese friends. Under the financing arrangement of the president of the Dong Dynasty, the leader of the exhibition, the director of the exhibition, the director of the group, went to Tokyo, Mito, Kanazawa, Fukuoka and other water relics, and interviewed Tokugawa Ieya very rarely. And the descendants of Tokugawa Gwangju and some Japanese scholars who know Zhu Xishui. Zhu Xishui landed in Nagasaki, and he had a deep friendship with Yanchuan and Antong, and he helped the Tokugawa governance of Confucianism and Guangxing Confucianism in the picture of the life of Mr. Yushui. Slowly resurrected the image of a Chinese old man 400 years ago. The team was fortunate to be the first film crew to enter the Tokugawa family cemetery. At the same time, some precious historical materials and cultural relics have also been recorded, such as the letters of Mr. Lishui and the letters of the Eastern Province preserved in the ancient library of Yanagawa, and the Confucius statues brought by Zhu Xishui from China in the Tangdao Church. In the film, "Zhu Yushui" is a knot in the sea of ​​clouds, which shows that Mr. Lishui's contribution to the cultural exchange between China and Japan is like a cloud of white clouds. After filming "Zhu Xishui", the project of "Four Xianxian" was finally completed. When shooting "Huang Zongxi" and "Yan Ziling", the problem appeared again. Huang Zongxi’s life has left more than 20 million words. However, the text of Huang Zongxi cannot exceed 10,000 words. On the contrary, Yan Ziling seems to have only 392 words recorded in "Han Han Shu Yan Guang Chuan", but it has to be expanded to a film of dozens of minutes... How to highlight the encirclement of the old people in Lizhou, A narrative line? After mastering the life and chronology of Huang Zongxi, Liu Lang began to read his masterpiece, "Ming Yi Waiting for Record". After reading it, his first feeling was that "the old man in Lizhou is really great," he said. "When the old man wrote a book, he lived in the graveyard of Hua'an Mountain. However, between the lines, the word 'the world', every page jumps out several times. Lao Tzu said that some people are 'dead but not dead', and Mr. Li Chau gathers the power of learning, the power of thought, and the power of morality. In one body, he is such a person.” A masterpiece made Liu Langru’s fisherman into a peach blossom source, and suddenly became cheerful. If you really want to understand the "Ming Yi Waiting Record" that is not too thick, you have to spend time. Usually, a word and a sentence will pull out a pile of books. Only the explanation of the word "Ming Yi", Liu Lang will From the old man all the way to find Sun Xingyan. For Liu Lang's creative process, Zhang Zifan, a senior editor of Zhejiang Radio and Television Group, who is also a TV personality, said: "The fast food culture is very fast from the beginning to the end. Mr. Liu Lang took these four films and had ample time. As an investment Be patient, as our producers and directors, we must have a certain strength, we must be able to live, we must not be impatient or impetuous. If you understand, you will push forward, do not understand that you have to understand first." After the work of the desk, after Liu Langsi thought about it, he finally delineated two mountains. One was the Siming Mountain where Huang Zongqi started to fight against the Qing Dynasty, and the other was Huaanshan, which he wrote with his book. Thus, the structural layout of the manuscript was only eye-catching. In retrospect, "Yan Ziling", because of his long life, low-key seclusion, as a legacy of the intellectual totem of the intellectual totem, there are few books or historical materials, which makes Liu Lang suddenly fall into the jealousy of the innocent. In addition to introducing the story between Yan Ziling and Han Guangwu Emperor Liu Xiu and using the real person to show his reclusive life on the Fuchun River, after a few discussions with Yuyao Xiangxian scholar Zhu Huancan, Liu Lang used More pens and inks describe Yan's family training, "The ancestor's legacy" and Yan Ziling's "The Tenth Body". "Gathering the pastoral, it is better to teach the child to be good; to gather wealth, it is better to have a skill in it; too much property, harming the children and grandchildren, people knowing it..." A paragraph of inspiring instructions, through its ancient and modern, thought-provoking realistic educational significance Become a highlight in the film. The creation is so slow, the times are developing so fast. The “media to death” that the famous media culture researcher and critic Bozman is worried about seems to be becoming a reality—“all public discourses appear in an entertaining way and become a cultural spirit.” In this context It took a decade to complete this series of films, which is undoubtedly a cultural watch that requires a lot of effort, but cultural watch seems so necessary. People may know that Yuyao Yangmei is delicious, but I don't know Yaojiang's characters are the best in the world; people may have used the names of the four sages, but they can't piece together their images in their hearts, and they can't touch their souls. At a time when television is still the mainstream mass media, some experts say that "the four sages are combined with the TV art of nature with entertainment, which is an innovation and breakthrough in the way of communication." It is very economical to invest in the creation of a series of TV art films such as "Yuyao Four Xianxian". In this regard, Yuyao Radio and Television Director Wankeda said: "We can't look at everything, and any over-entertainment programs can't be passed down. We have to maintain our cultural conscience and leave something worth watching for future generations. The things that are worthy of the four sages are worthy of the history and culture that Yuyao has.” Zhao Huifeng, editor-in-chief of Ningbo Radio and Television Group, said of his views on the film: “The people-centered thinking in Huang Zongxi’s bones is still an important part of China’s core values. Yan Ziling is a monument to the spiritual character of the scholars. In front of him, we are so small and humble." He Suliu, deputy dean, professor and director of the School of Television and Journalism at the Communication University of China, said that in a "nothing, nothing In the era of lack of culture, the emergence of the TV art film "Four Pioneers" is a great deal. Qian Ming, a researcher at the Zhejiang Academy of Social Sciences who participated in the creation of Zhu Xishui, believes that “making the celebrities of Chinese culture and culture into TV art films and forming a series. This kind of wisdom, discouragement and handwriting is commendable, and its historical value. , social effects, cultural heritage, will become more and more obvious as time goes by." At present, "Yuyao four sages" has been sent to the United States Scola television network broadcast, and is seeking more quality broadcast platform In order to transmit the song of history, which is first and foremost, farther, let more modern people get the nourishment of the soul and the enlightenment of culture.