Xu Xiaofei (right) played Wang Baozhen and touched a lot of audience. Wang Baozhen’s 18 years of hard work in the cold kiln, etc., Xue Pinggui, who is famous for his work, and the two daughters of the Princess Sissi, the story of Wang Baozhen and Xue Pinggui is a happy ending in the traditional drama. However, is this ending really satisfactory for Wang Baozhen? The new drama "The Hydrangea" of Ningbo Xiaobaihua Yue Opera Troupe gave a different answer. The show premiered at the Ningbo Grand Theatre the night before and was well received by many viewers. In the Yue opera "The Hydrangea", Wang Baozhen is the absolute protagonist, and Xu Xiaofei's interpretation has also been widely recognized by the audience. "The whole drama is the one who sings to the end of the Baodi girl." After watching the premiere, the netizen "Honey Pear" said, "Xu Xiaofei has performed the vicissitudes of the 18 years and the last sense of loss." It is the classic image in the Peking Opera "Red Dragon Horse". Whether it is "Three Claps", "Wujiapo" or "Da Deng Temple", it is a classic that has been playing forever on the stage of Peking Opera. Wang Baozhen is also a rebellious consciousness. Feudal women are typical. However, "The Hydrangea", which was newly compiled by the old drama, gave Wang Baozhen a different ending. After the long wait in 18 years, facing the fact that Xue Pinggui and Princess Sissi returned together, Wang Baozhen could not help but start himself. He asked: "I want to be Wang Baozhen, I have been fighting for 20 years in the cold kiln, just to wait until this day? Fengguan, Xia, if I want you, I have been wearing it 18 years ago. Rich, Ronghua, if for you, 18 Didn't I have it before the year?" In the end, the feeling of "true love is just a dream" was issued, and Xue Pinggui was turned away. This kind of ending was unexpected and touched many viewers. Although some viewers told reporters that "it is not a big reunion, it is not good," but more young viewers expressed their willingness to accept such an ending because "it is quite suitable for her." Character." The netizen "Love Hexuan" wrote that "the 18-year cold kiln waited, waiting for a true love man, lamented Wang Baozhen's strong and persistent", and the netizen "Mao Diefei" said that "this ending broke. The traditional big reunion model actually expresses the values of modern consciousness and independent women, and also faintly reveals the young people who appear in the face of traditional reflection." There is also a character in "The Hydrangea", which also earned a lot of tears from the audience. That is Wang Baozhen's father, Wang Yun, who played the role of Zhang Dan, the oldest student of the Ningbo Xiaobaihua Yue Opera Troupe. An audience who grew up watching the grass-class class and watched the movie for the first time said that "the big love is old, although the poor loves the rich, but the love of women runs through the whole drama, especially to the kiln to explore women, it is a stamp. In the "Diamond Ball", Wang Baozhen's relationship with his father is no longer the opposite father-daughter relationship in "Three Claps", but with more humanized emotions and expressions. In the past, "the kiln" was a mother who went to visit her daughter. In "Hypothesis", she changed her father to Wang Yun to visit her daughter, as the main part of the emotional exchange between father and daughter. After the dismissal of the official, Wang Yun became an ordinary father who was eager for family ties. The revealed feelings of family and enthusiasm were more abundant. After Wang Yun’s death, Wang Baozhen did not blame herself. Her complaint in front of her father’s grave made people feel that there were always generation gaps and knots that could not be bridged between the two generations. Many viewers saw “exploring the kiln” and “sacrificing The father" burst into tears in both games. In addition, it is worth mentioning that the script of the play was written by Qu Xijie, a young screenwriter from Shaanxi Province. Luo Huai, a famous playwright and dramatist of the drama "Diagram", once commented on her script "Winning in a contemporary The real experience, especially with the true emotions of a young and contemporary woman, led us to re-experience the ancients we thought we were already familiar with. As a cross-drama adaptation, "The Hydrangea", which has the nature of "old play and new play", does not violate the lyrical essence of the opera, but also gives a new form and new concept that conforms to the aesthetics of modern people, attracting a good applause. sound.