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The oil painting of "Wang Anshi Reform" was included in the "National Civilization Project" 2013-09-21


Recently, the project of “Wang Anshi Change Law”, a major historical theme oil painting created by the Yinzhou District Cultural Center and the art creation group of Yinzhou District, has successfully signed a contract with the Organizing Committee of the “Chinese Civilization History Art Creation Project” to create a county (city). The district-level creative unit takes precedence for the creation of national-level major subject matter. It is reported that the "Wang Anshi Legislation" after the completion of the creation will be permanently displayed in the National Museum. Approved by the Central Propaganda Department and approved by the China Federation of Literary and Art Circles, the Ministry of Finance and the Ministry of Culture, it was officially launched in December 2011. The plan lasted for 5 years and was presented in the form of visual art such as paintings and sculptures. A 5,000-year-old Chinese historical civilization. The 150 selected topics selected by the project were determined after repeated argumentation by the Institute of History of the Chinese Academy of Social Sciences and the experts of the “Engineering” Arts Committee. They are highly representative and typical in the 5,000-year history of Chinese civilization. There are 150 works in this project, including nearly 50 oil paintings. The oil paintings declared in Yinzhou District can be successfully established, which fully demonstrates the creative strength of Ningbo artists. The oil painting "Wang Anshi Reform" is based on the important historical event of "Wang Anshi Reform", which is mainly based on the visual interpretation of history by the creator seeking inner true feelings: Wang Anshi was in the county of Min County (predecessor of Zhangzhou) for 3 years. Here, he completed a small experiment of his big innovations and achieved success. It is because of this success that he has strengthened his belief in reform that he has the "greate reformer of the eleventh century." The creative team elaborated on their work concept: the main spatial structure of the picture uses the characters as the main frame to present Wang Anshi's historical achievements in the form of monuments or historical monuments. The negative space of the picture describes the history in the form of words, and the characters are interlaced as the symbolic language of the picture and the positive space characters of the picture.