The craftsmanship of the paper-cutting inheritor attracts many audiences. The production of the creek of the creek of the creek. The sacred sacred sacred sacred sacred sacred sacred sacred sacred sacred sacred sacred sacred sacred sacred sacred sacred sacred sacred sacred sacred sacred The values of “truth, goodness and beauty” carried by it have already been integrated into the blood of every descendant of the Yellow Emperor. The protection and inheritance of "non-legacy" reflects a cultural consciousness and a historical responsibility. At 4 o'clock on the afternoon of May 3, the second "Alafi Relics" hosted by the Municipal Cultural Center and the Municipal Non-legacy Protection Center came to an end in Ningbo Cultural Square. Watching the staff busy collecting all kinds of “non-legacy” exhibits and starting to dismantle the booth, the audience raised their cameras and photographed those delicate and chic handicrafts, in order to preserve a precious and beautiful memory. Some children are lingering in front of booths such as face-lifting, lanterns, sugar painting, and eucalyptus weaving... "Alafi Heritage" is a kind of excellent "non-legacy" project for all the society. A cultural gathering between the citizens and the inheritors to build an interactive communication platform. This year's "Alafi Heritage" has set up nearly 150 booths, showing nearly 80 outstanding "non-legacy" projects and parts of "100-year-old brand name", "Chinese craftsmanship", "traditional female red" and "traditional snacks". "Non-legacy" exchange programs inside and outside the province. In order to stimulate the enthusiasm of the citizens, the sponsoring department also specially added the "Children's Charity - Non-legacy Class" manual skills, free teaching on the traditional game site and other content. In addition, during the event, a series of excellent “non-legacy” project performances, such as marquee, Fenghua Bron, fisherman, and classic banzi, were also launched. This "May 1" small holiday, the sun is shining, the Ningbo Cultural Square is full of laughter and laughter, and the popularity has soared. The "Alafi Heritage" activity lasted for three days, and it provided a warm and wonderful cultural feast for the citizens and tourists. The taste of traditional snacks when Ala was a child was on May 1st, the first day of the opening of the "Alafi Heritage" event. The reporter came to the Ningbo Cultural Square and saw a long and thin booth on both sides of the square lined up neatly. The exhibition is divided into four areas: “Hundred Years Old”, “Traditional Female Red”, “Chinese Craftsmanship” and “Local Snacks”. In the local snack exhibition area, the crowds are crowded and steamy. The audience is surrounded by the stalls and watched the traditional snacks such as Chui A Dog Soup Group, Ninghai Sangzhou Oatmeal, Yuyao Luqi Soy Sugar, Fenghua Xikou Melaleuca Cake. Production process. Kneading noodles, cakes, flour, mixes, fillings, pots, and baking... The masters who have passed on these traditional snack making techniques have become a part of their talents, and their movements are so skillful that they can't help but be amazed. In a short while, the sweet and lubricated Ningbo dumplings, the warm and crisp Xikou Melaleuca cake, the entrance of the instant Lumian bean crispy sugar, the green and fragrant sangzhou mochi cake... one by one freshly baked, attracting the onlookers to hang on Do not pay for the purchase. Some middle-aged and elderly people praised and said: "The taste is really good! This is what we love to eat in Xiaochenguang. It is rare to eat now." Although Yan, who lives in Huaguangcheng Community, is 78 years old, he can listen to it a few days ago. It is very exciting to say that Ningbo Cultural Square has such a "non-legacy" activity to show the old Ningbo life customs, and also invited two old comrades to come and watch. He said that today, I saw so many traditional snacks in Ningbo that I can taste it on the spot. It is full of eyes and a blessing. When Yan Daye was young, he worked as a soldier and worked in Shandong. After he retired, he returned to his hometown in Ningbo to support his life. He said: "Eat and eat, or the taste of Alain Ningbo!" Yes, Ningbo dumplings, Cicheng rice cakes, these local snacks will always carry the endless homesickness of Alainbo people, once let the wandering strangers dream, miss As thirsty. This strong local complex may be due to the strong cohesiveness and appeal of traditional food culture. The stage performances feel the charm of folk art. In order to highlight the atmosphere of the event and satisfy the people's desire to “freely watch the show”, the organizer also carefully designed the stage exhibition of “Non-legacy” project. Every day in the morning and afternoon, the rounds are staged. The performances of the show are different in style, with a passionate, festive and auspicious “horselight” performance, with a heroic and melody performance of the “fisherman”, and a “Fenghua Bron” performance with a strong posture and a sensitive pace... With the agitation of the loud drums, Nie Yan, representing Jiangdong District, took her dance team to the center stage of the square and began to perform "Marquee". More than 10 actors on the stage wore white-blue horse-headed dance costumes, waving a whip and stepping on the drums to jump up cheerfully. The marquee program is based on the traditional folk tunes of Ningbo, and it is also inspired by the powerful folk inspiration. It shows the grandeur of the galloping and prosperous. The actors on the stage were full of energy, the movements were very smooth, and the audience applauded constantly... The vice president of the Municipal Cultural Center and the head of the Municipal Center for the Protection of the Invisibles, Kong Yan said that for the performance of the "Alafi Heritage", the actors were very Hard work, rehearsing early in the dark, in order to let the audience see their best performance. On the first day of the event, Wan Xiaoqing and the team members of Gulin Town, Yinzhou District, where folk dances were performed, went to the Ningbo Cultural Square at 6:30 in the morning to carry out a series of preparatory work. The traditional game regains the fun of childhood. In this "Alafi Heritage" activity, the most distinctive one is the experience interaction activity of "Children's Addition - Non-legacy Classroom". In the process of experiencing traditional games, people have relived the happy time of childhood. Rolling hoops, hopscotch, kicking rafters, pinch-facers, origami, paper-cutting... These traditional games carry the memories of many generations of Ningbo children, however, as time goes by, social development, in the children’s world, these The role of traditional games has gone further and further, and it is almost impossible to trace. How to awaken people's memories of this childhood? How to let modern children understand the fun of experiencing traditional games and let them feel the charm of Chinese traditional culture? When the staff of the Municipal Cultural Center and the Municipal Non-legacy Protection Center planned this "Alafi Heritage" activity, they specially added a piece of "Children's Fun Collection - Non-legacy Classroom" in the activity plan. The hallmark of the event is to let the citizens participate and experience it. When people take their children to experience "hopscotch", hoops, kicking scorpions and other games, there are bursts of laughter from time to time in the square, people seem to return to a carefree childhood. A ten-year-old boy was eager to try after seeing the game teacher demonstrate the action of the hoop. Play the hoop here, and start playing the "hopscotch" over there. Under the leadership of an adult, the children landed on the ground and jumped in the red line frame while kicking a small stone into another red line frame. The rule of the game is that the foot can't step on the sideline, and the stone can't be kicked out of the box, otherwise it is considered lost. A seemingly simple game, but it is not difficult for children who are used to playing electric toys. A mother proudly said to her daughter in elementary school: "This is a game that my mother used to play when I was a child. I was a master at the time." After that, she jumped up happily and her posture was still so light and flexible. The daughter jumped happily under her guidance. According to Kong Yan, when the event was planned, it was because the children were no strangers to this old game, so they thought of the teacher who recruited the game in advance in society. Many citizens volunteered to sign up after seeing the recruitment information, and a female teacher reported all the game projects at once. The staff later learned that the school where the female teacher is located is located in a remote rural area. The students there are taking local materials and playing traditional games such as “hopscotch” and “kicking the shuttlecock” during the extracurricular activities. She feels that these traditional games are both healthy and environmentally friendly, and are very beneficial to the child's physical and mental development. Therefore, they are very willing to teach and promote traditional games. The protection and inheritance of the Chinese craftsmanship is amazing. The most important piece of work is to protect and inherit the traditional craftsmanship of the folk. In this "Alafi Heritage", there are more than 30 exhibition projects of "Shangshang Style - Chinese Craftsmanship". In order to increase the closeness of the people to the "non-legacy", especially to stimulate the children's closeness and inherit the enthusiasm of "non-legacy", the display is basically a "non-legacy" project with rich life and close to the modern green concept. There are dough, kite making, straw hat weaving, celadon casting, tiger head shoe making, fish topping, paper cutting, bamboo weaving, embroidery... These “non-legacy” techniques have been passed down by generations of folk craftsmen, and the works have a strong sense of life and art. Infectivity is the wisdom of the ingenuity of Ningbo folk artists, and it also shows the folk customs of the old people in Ningbo. There is an old saying in Ningbo: "Do two pairs of shoes, when you come to the tiger head shoes, when you go to embroider shoes." Before the tiger head shoes production booth, the inheritor Jiang Jianfei told the origins and customs of the tiger head shoes. In the past, when there were babies in the family, the elders often put on the tiger's head shoes and put on the tiger's head cap. The tiger's head shoes are made of satin and cotton, and the head of the shoe is embroidered with a tiger head, which means that the tiger of the king of beasts is the king of the evil spirits, and the baby is safe and healthy, and grows bold and walks long. life journey. Aunt Jiang said that sewing tiger head shoes is not simply embroidering a "king" character. The most important test is to embroider the mighty wind of the tiger, so it is necessary to embroider the spirit of the tiger's eyes. A row of neat tiger head shoes on the table of Jiang Ayi, the size is different, colorful but beautiful, as she said, every pair of tiger shoes she sewed, although in a sturdy shape, but on the toe A pair of tiger eyes are really stunned and not angry. Many citizens saw such a cute tiger's head shoes, couldn't help but pick them up and put them on the palm of their hand. They sincerely praised Jiang Ayi's "embroidered very well!" Seeing that some people like it, Jiang Ayi's face is full of gratification. Since the age of 10, Aunt Jiang has been learning to make tiger head shoes with her grandmother. For example, she is nearly sixty years old. She often travels to cultural venues, schools, communities and other places to enthusiastically teach the production skills of tiger head shoes. Now she has brought out several apprentices, including her daughter-in-law. Similarly, in front of the booth of Xiangshan Paper-cut, they were also filled with curious children. They were attracted by the colorful and vivid paper-cut patterns on the booth. They stared at the dexterous and magical scissors in the hands of the inheritor Xie Caihua. Kind of pattern. Xie Caihua also carefully prepared paper and scissors to teach children to cut window flowers and small animals with kindness and patience. When bidding farewell, he also presented a zodiac paper-cut pattern to each student, encouraging them to go home and continue practicing. Master Xie is particularly happy to see that children like to cut paper. Xie Caihua has been learning paper-cutting with her mother since she was 6 years old. After decades of artistic exploration, each of his works is almost in one go, with both form and spirit, exudes a strong folk art atmosphere and is deeply loved by the masses. As the inheritor of paper-cutting, he has opened paper-cut training courses for children, primary and middle school students and even elderly friends in Xiangshan Kindergarten. He has taught countless students. In the "Alafi relics", there are still many folk masters who are stunted like this. For example, Ding Yi's inheritor, Ding Yier, her various characters and animal forms are lovely and lively, and are sought after by many citizens, especially children; Ye Liangkang, the inheritor of the bamboo crafts in Zhangzhou, who weaves lifelike animals with thin bamboo silk Let the audience be amazed; Zhu Zhiyou, the inheritor of the fishing boat production technique, showed that a fishing boat model was refined and refined, just like Tiancheng... In short, the "Alafi relics" is like a contest of folk art masters. The project's inheritors have taken advantage of this stage to show their talents, so that the audience will be more admired by traditional craftsmen and entertainers. At the same time, "Alafi Heritage" is like a rare art exchange meeting. Although everyone's skills are different, but art is always the same, they use this platform, this opportunity to learn from each other, exchange experience and confusion in the inheritance. “Alafi Heritage” A cultural feast “Alafi Heritage”, which was given to the public as a public cultural service activity, was an innovative activity launched by the Municipal Cultural Center and the Municipal Center for the Protection of Intangibles. Then, why do you think of the form of "non-legacy" gatherings by festivals? Lin Hong, director of the Municipal Cultural Center, told reporters that last year was the 10th year since the launch of the “non-legacy” protection inheritance work in Ningbo. After 10 years of careful excavation, sorting, cultivation and support, Ningbo’s non-legacy protection work has been gratifying. At present, the city has 21 national “non-legacy”, 79 provincial “non-legacy”, 179 municipal non-legacy, and more than 500 county-level “non-legacy”... original “three in one” The “non-legacy” protection model (the overall protection of the project, the inheritor and the inheritance base) has revived a large number of “non-legacy” projects that are on the verge of dying, and has achieved the sustainable development of most “non-legacy” projects. Such as the famous "three gold one inlay" (mud gold paint, gold and silver color embroidery, Zhujin lacquer wood carving and bone wood inlay) traditional crafts to meet the market, to the road of industrialization; Fenghua Bron, Ninghai play teeth, 甬 drama and many other " Non-legacy projects, or go out of the country to show the style, or enter the campus to cultivate the people, or board the stage to become a cultural boutique... Lin Hong said that in order to carry out the work of the "non-legacy" protection and inheritance work in the past 10 years And refining, dedicating the results of the protection and inheritance to the community, and also wanting to build a service platform for the public and the non-legacy project and the inheritors to establish a public welfare and close communication. They have launched the "non-legacy class" in recent years. "The "non-legacy festival" and "non-legacy guards" and other series of brand activities to integrate and innovate, held the first "Alafi relics" during the National Day last year, and proposed the theme of the event: closeness, inheritance, sharing . Originally it was an exploratory public cultural service activity. Unexpectedly, the event was warmly welcomed by the masses and attracted 25,000 people on the first day of the opening. Although the original three-day event had to be closed two days in advance due to the arrival of the "Fete" typhoon, but many audiences were still unfinished, and they would ask the organizers whether they would hold it. The welcoming and support of the masses made them feel obligated and responsible to make the "Alafi Heritage" a brand activity of public cultural services, and strive to continue the first session and send a beautiful cultural feast to the masses. Therefore, they immediately launched the organization of the second "Alafi Heritage" activity at the beginning of this year. After two months of preparations, the second "Alafi Heritage" was finally opened as scheduled in the blooming and sunny "May Day" festival.