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The welfare home came to tell the story 2014-06-13

 

The picture shows the successor of the "Suichuan Book". (Photo by Zhou Yanbo) Yesterday, the inheritor of the provincial non-legacy project “蛟川走书” was quietly rushed from Zhenhai to the City Cultural Center on Yaoxing Street, and then rushed to the Ningbo City in Hongtang. The Social Welfare Institute participates in a public welfare performance organized by the City Cultural Center and the Municipal Center for the Protection of Intangibles to commemorate and celebrate the ninth "Cultural Heritage Day" on June 14th - to send traditional folk art programs to social welfare homes. Less than 9:00 in the morning, in the activity room of the Municipal Social Welfare Institute, 50 or 60 recuperations have already taken a seat early, waiting for the program to start. The first performance was the beach-spring drama "Shantou Ge touched the snail", which talked about the unfinished Shantou brother who had not yet married at the age of fifty. When he touched the snail, he encountered an older unmarried woman. The two sides sang together and performed a funny and interesting one. Love drama. Zhu Junlan and Zhu Yulan are performing on the stage with sisters and actresses. Their vivid and witty language, vocal vocals, exaggerated and rich expressions, deeply attracted the elderly watching the audience, and there were bursts of laughter and applause from time to time. With the accompaniment of the erhu and the dulcimer, Le Jing, who was nearly seventy years old, performed a piece of legend about the Dragon Boat Festival. The book of Luanchuan is a local art that originated in the Guangxu period of the Qing Dynasty. It is a folk art feature that combines singing, speaking and acting in one person. It has the characteristics of “the birth and the ugliness of the body, and the nine-cavity and eighteen from a population”. Sun Guowei, an 82-year-old senior in the welfare home, smiled and looked at the performance on the stage. He couldn’t help but applaud. He was very intoxicated. Uncle Sun told the reporter that he was a town of Zhenhai Camel Town. He grew up listening to the "Suichuan Book". The more familiar songs include "Yang Jia Jiang", "Water Margin" and "Bao Gong Case". He remembers that when the children were in the gazebo or the drying yard in the village, there were always people who came to perform the book. A bunch of children often asked for a few copper plates from the adults, and then they went ahead to join the party and heard the wonderful places. Throw a few copper plates in the plate. This childhood scene has made him unforgettable so far, but it is rare to see this kind of local drama again in adulthood. He said that today, without leaving home, you can see such a wonderful and popular local scene, and you are full of happiness, really happy. The staff of the Municipal Non-legacy Protection Center told reporters that they organized such public welfare performances on the one hand to satisfy the desire of the welfare homes to enjoy free viewing of the opera, and on the other hand, they wanted to use this form for some provincial and municipal levels. The traditional folk art of non-legacy catalogues builds a platform for communication and inheritance, so that the people of Ningbo are familiar with and close to these traditional folk art. After the performance, Le Jing side told the reporters that she had performed a number of more than 100 performances in the townships and towns in the past year. More than 70 performances have been performed in less than half a year this year. "Suichuan Book" is still quite popular in the market, especially popular among older audiences. She said that as long as the people like it, she is willing to work hard, and she is not afraid of being tired again.