The Warring States Yu people competed in the bronze plaque, the Yue Kiln green glaze, the yellow enamel-shaped girders, the chicken first pot, the Wuzhen's "Shuangshupo Stone Diagram", and Wang Yangming's essay "The Guest Private Wish" album... Today, these Ningbo Baby will be unveiled at the West Lake Art Museum in Hangzhou, and will be a strong support for the “Treasures of the Earth – 100 pieces of cultural relics telling the story of Zhejiang” hosted by the Zhejiang Provincial Museum. It is reported that six cultural and cultural units in the city provided 14 pieces of fine works for this exhibition. Wang Yangming handwriting circulated an orderly level of cultural relics Wang Yangming's book "Guest Private Wishes" album, 36.5 cm in length, 44.0 cm in width, is 22 open paper album. Written in Ming Jiajing six years (1527). Wang Yaoren, a famous thinker, writer, philosopher, strategist and calligrapher of Yuyao, is a native of Yangmingshan. He was a scholar of the 12th year of Ming Hongzhi (1499). He served as the principal of the Ministry of Justice, the governor of Guizhou Longchang, and the governor of Nanxun. The Governor of Guangdong and Guangxi, etc. Because of the peace of Zhu Xi's chaos was sealed as a new construction. He is a literary martial artist with outstanding achievements. He is a famous actor. The most outstanding achievement is the creation of the "heart school" ideology centered on "conscience". He was ordered by the imperial court to enter the two provinces. When he was on the way, he handed over the education of the academy to the doorkeepers Qian Dehong and Wang Wei, and specially wrote this "Private Guest Wish" to warn his students to keep on the words and deeds of morality. Progressive and refined. The full text of a total of 173 words, the calligraphy rate is vigorous, set the face, Liu in one. "Private guest wishes" is well-ordered. From the contents of Huang Daozhou, Zhao Ercui, Wang Jingzhen and Hong Zuoyu, the handwriting has been passed to Fujian, Henan, Shandong, Tianjin and other places. During the reign of Emperor Guangxu in the Qing Dynasty, it was still a banner. It was cut into a book by Xuantong. It was finally collected by Hong Zuoyu from Tianjin Zhang Jingyu in 1954 and donated to the Liyao Lizhou Literature Museum. It is now kept by Yuyao Wenbao. Wu Zhenzheng is only one of the famous masters of Yuan Dynasty paintings in Zhejiang. In particular, it is the most famous in the “Yuan Ji Si Ren”, which represents the peak of the development of literati painting in the Yuan Dynasty. The Wuzhen in the "Four People" is even more outstanding in terms of its unique painting context and Gaomai's character. Wu Zhen (1280—1354), the word Zhonggui, No. Meihua Taoist, Jiaxing, is known for his lifelong seclusion in the history of painting. In his hand-painted paintings, the secret theme such as the fisherman accounted for a considerable share. In addition to the theme of the fisherman, Mozhu is the favorite of Wuzhen. The wind bamboo, rain bamboo, frost bamboo and snow bamboo have different postures. There are many poems on the screen, and the bamboo is personalized. The first-level cultural relics "Shuangshupo Stone Axis" painted two trees in front of and behind the rock: the former is lush, the trunk is left leaning, and the middle and the left are parallel to the branches, breaking the picture and making the composition change; the latter is dry, the trunk is Such as the sky, the bald branches hang down; one dry and one glory, one high and one short, strong contrast. The rock is sketched with light ink, and there are not many pens, mainly for rendering. Through the dark color of the ink, the characteristics of the stone surface and the soil are expressed. The rock seam is covered with thick ink and coke ink, and the outline is distinct. A row of grass on the edge of the rock turned down and led the line of sight onto a stone. The stone is rendered in thick ink, which creates a contrast of ink and balances the center of gravity of the picture. Painting the trees in the distance, expressing the depth of the space in the depth of the ink, letting people think about the outside world. These all reflect the author's superb image processing capabilities. It is reported that the only original piece of Wuzhen in Zhejiang Province is currently preserved. It is treasured by the Tianyi Pavilion Museum. The Tianfeng Tadi Palace cultural relics debuted in 1982, and a number of precious cultural relics were unearthed from Tianfeng Tower, including silver palace architectural models, silver smoked stoves, and bronze Buddha statues. Among them, the silver smoked stove and the bronze Buddha statue participated in the exhibition of “Treasure of the Earth”. The first-grade cultural relics in the Southern Song Dynasty, the flower-opening baby play, the single-hole silver smoked stove is 17.2 cm high, and the bottom diameter is 10.5 cm. It consists of a seat, a furnace and a cover. It is decorated with lotus petals, pearls, clouds, grasses and flying. Crane and other patterns. The smoked oven is exquisite in craftsmanship, with a unique shape and exquisite ornamentation. The first-grade cultural relics of the Southern Song Dynasty, Amitabha Buddha bronze statues are 28 cm high and 11.5 cm wide. The Buddha statues are decorated with stone blue, the eyes are slightly closed, the nose bridge is wide and wide, the mouth is small and slightly combined, the face is plump and round, and the big ears are drooping. Dressed in a shoulder-shoulder coat, the squats stand on the lotus platform and are used as a guide. Behind the Buddha, there is a large pupil-shaped backlight. The center is a round top light. The top light and the backlight are inlaid with beads, and ten are saved. One is lost. The statue is full of gold, the shape is dignified, and the clothes are smooth. These two Tianfeng Tadi Palace cultural relics are rarely displayed, and are collected by the Ningbo Museum. In addition to the above-mentioned cultural relics, the Yuyao Hemudu Museum provided turtle-shaped pottery figurines for the exhibition. The Cixi Museum provided the treasures of the town hall, the Yue Kiln celadon, and the Warring States bronze plaque. The Zhangzhou District Cultural Relics Management Office provided the feathers. Cultural relics such as the bronze gongs and the copper lances of the Warring States. It is reported that “Cross-Earth Treasure” is the annual key exhibition of Zhejiang Provincial Museum. 39 cultural and cultural units from the province provided exhibition artifacts and the exhibition will last for 4 months.