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Talking about the drama "Anzhen" and the new concept Yue opera "Goodman in Jiangnan" 2013-03-26

 

On March 24th, the Ningbo Culture and Art Research Institute held a special symposium on “Realizing local dramas from foreign operas”. In addition to the professionals and special commentators of the Ningbo Culture and Art Research Institute, the participants also specially invited Wang Jin's papers of the Performing Arts Group, the general manager of Xiao Xiaobo of the troupe, the deputy general manager of Jie Jie, and the reporters of Ningbo Daily and Evening News. Everyone talked about the drama "Anzhen" and the new concept Yue opera "Good People in Jiangnan". They were outspoken and expressed their opinions. The atmosphere at the venue was very warm. The symposium was presided over by Wang Xiaojing, vice president of Ningbo Culture and Art Research Institute. First of all, Wang Jinwen, starring "Anzhen" and the party secretary of the Performing Arts Group, introduced the creative background and creative process of "Anzhen". She expressed the hope that she would listen to everyone's opinions and suggestions, continue to improve "Anzhen", and discuss with everyone how local operas can express foreign dramas, so that the drama can be widely spread. Afterwards, the professionals and special commentators of the Institute of Culture and Art published their views on the two plays in turn, and on this basis, they enthusiastically explored the characteristics of the East and West dramas, how to take their own strengths, and how the local operas retain the audience. Audience and the possibility of market-oriented operations. This symposium truly reflects the atmosphere of "contention". For the innovation of Chinese opera, everyone even expressed the opposite view: Some people think that Chinese opera should be re-appreciative and entertaining, maintaining its original beauty and classical flavor. In the process of innovation and adaptation, we should not put the cart before the horse and lose the essence of the opera. Some people think that Chinese opera should learn from the western drama and its speculative and profoundness. In order to attract more young people, the drama will not die. More modern elements should be added. Finally, Guo Guoqiang, Dean of the Institute of Culture and Art, expressed his gratitude and made a summary of the arrival of everyone. He said that we must first respect artists who dare to innovate, do not fear risks, and are not afraid of failure, and on this basis, explore the success or failure of the works. Artists have their own artistic pursuits and artistic goals for the innovation and adaptation of their works, which is to constantly promote their own development. This symposium is another activity of the “Special Commentator” team of the Ningbo Culture and Art Research Institute. It can be said to be very successful. I hope that in the future seminars, the atmosphere will be more relaxed and the opinions can be more open, so that this team can truly activate the atmosphere of Ningbo literary criticism and promote local literary creation. At the same time, the leaders of the Performing Arts Group also said that they have gained a lot of valuable thoughts and insights at the symposium. They will feedback to the main creators of "Anzhen" and make the next revision and improvement for "Anzhen". Reference. (Ningbo City Culture and Art Research Institute)